Oscars Fashion & Film: Critics Weigh In On Winners & Losers
Film critics Kevin Maher and Anna Murphy of The Times dissect the recent Oscars, debating "One Battle After Another's" Best Picture win and critiquing red carpet fashion choices. Maher expressed fatigue with the awards season, while Murphy highlighted standout and questionable celebrity style.
Oscars Awarded: “One Battle After Another” Dominates, Critics Divided on Choices
The Academy Awards ceremony concluded with “One Battle After Another” emerging as a significant victor, securing six awards including Best Picture, Best Director for Paul Thomas Anderson, and Best Adapted Screenplay. The film’s success, predicted by many, capped off a lengthy awards season that left some critics feeling fatigued by the repetitive nature of the ceremonies.
Paul Thomas Anderson, in his acceptance speech for Best Adapted Screenplay, offered a poignant reflection on his work, stating, “If I wrote this movie for my kids, um, to say sorry for the the housekeeping mess that we left in this world we’re handing off to them, but also with the encouragement that they will be the generation that hopefully brings us some common sense and decency.”
Film Critic’s Verdict: Predictable Oscars, Disappointing Choices
Kevin Maher, film critic for The Times, who had accurately predicted “One Battle After Another” as a frontrunner since September, expressed a sense of exhaustion with the awards season. “The Oscars awards season is 6 and a half months long and so my love for ‘One Battle After Another’ has diminished with every single exhausting awards ceremony,” Maher admitted. While acknowledging it as a “fine film,” he argued it wasn’t Paul Thomas Anderson’s best work, citing “Magnolia” and “There Will Be Blood” as superior examples.
Maher also voiced disappointment with some of the Academy’s decisions. He agreed with the win for Jesse Buckley in Hamnut, calling it “a performance for the ages.” However, he was taken aback by the Best International Film win for the “dreary Norwegian movie” Sentimental Value, especially when a more impactful film like The Voice of Hindra Jab, a documentary about a killing in Gaza, was also nominated.
“I’ve been doing this for 30 years and more and more I find these ceremonies so cringey because there’s just so much naval gazing and breast beating and and uh, you know, if you spend 30 years being in the company of Hollywood people and talking to them, you know, it’s it’s just hypocrisy on a global on just on a nuclear scale.”
For those looking to watch Oscar-winning films, Maher recommended Hamnut and the documentary Mr. Nobody vs. Putin, which won Best Documentary. He described the latter as “really interesting just a teacher who starts recording how they have to teach the kids about the war in Ukraine and and just how Prutin the education system in Russia becomes. It’s like 1984.”
Fashion Standouts and Stumbles on the Red Carpet
While the film choices sparked debate, the red carpet fashion also drew attention, with The Times’ fashion director, Anna Murphy, providing her expert analysis. Murphy highlighted Jesse Buckley’s “gorgeous red and pink number from Chanel” as a standout, alongside a “beautiful bright red from Louis Vuitton” worn by another nominee.
However, not all ensembles were a hit. Timothy Chalamet’s all-white suit paired with white trainers drew criticism, with one reader commenting, “Why can’t you get trousers that are the right length?” Murphy elaborated, describing his look as resembling “shoes that surgeons wear in the operating fields,” suggesting it was a peculiar choice for the event.
Gwyneth Paltrow’s outfit, a seemingly classic white column dress from the front, revealed a more daring design from the side, featuring “see-through trousers.” Murphy humorously noted, “she definitely hadn’t been having much for her supper last night.”
Murphy also praised the unique style of Tiana Taylor, who wore a “skintight sort of stomach, remarkable abs she’s got. They basically had a starring role in the film alongside her. Her abs just visible through the kind of mesh stomach. She looked amazing.” Conversely, director ChloĆ© Zhao’s black veil earned her a comparison to a “depressed Miss Havisham,” and Heidi Klum’s barely-there necklace-dress combination was deemed unwearable, even for the supermodel.
Looking Ahead: The Enduring Appeal of Awards Season
Despite the critiques and the perceived predictability of this year’s Oscars, the event continues to capture public interest, both for its cinematic accolades and its sartorial displays. As the dust settles on another awards season, the conversation shifts to the films that resonated and the fashion that made a statement, reminding us of the enduring, albeit sometimes controversial, spectacle of Hollywood’s biggest night.
Source: Oscars Winners And Losers In Fashion And Film | Times Critics Verdicts (YouTube)





